TWO-PART SC
These
pieces also may be sung as SA. Except those marked with an asterisk (*),
please purchase Parts I (Version I) or Part II (Version II) for Sopranos, Part
III for the Cambiatas (all versions), and one copy of the choral score for the
director.
Read
about the Features of this Unique Series
for more details |
Glory to God in the Highest Pergolesi/Collins D983175
Hear
the Choir of Voices Singing
Bortniansky/Knight TT20207
*Praise to the Lord -
Stralsund Gesanbuch (1665) (version I)
*Praise to the Lord -
Stralsund Gesanbuch (1665) (version II)
Psalm
103 Bortniansky/Knight T180137
*Who Is Sylvia?
Schubert/Collins
MM110006cs (version II)
*Who Is Sylvia?
Schubert/Collins
MM110006cs
(version I)
TWO-PART SB
Females on one part and the adolescent baritones
on the other. With these pieces, please purchase Parts I (Version I) or
Part II (Version II) for Sopranos, Part IV for Baritones (all versions),
and one copy of the choral score for the director.
Read
about the Features of this Unique Series
for more details |
Praise to the Lord -
Stralsund Gesanbuch (1665) (version I)
Praise to the Lord -
Stralsund Gesanbuch (1665) (version II)
Who Is Sylvia?
Schubert/Collins
MM110006cs (version I)
Who Is Sylvia?
Schubert/Collins
MM110006cs
(version II)
TWO-PART
CB ALL-BOYS
C=Cambiata, and B=Baritone
Praise to the Lord -
Stralson Gesanbuch (1665)
Who Is Sylvia
Schubert/Collins
TWO-PART
TC ALL-BOYS
T=Treble C=Cambiata
Praise to the Lord - Stralson Gesanbuch (1665) (version I)
Praise to the Lord - Stralson Gesanbuch (1665) (version II)
Who Is Sylvia
Schubert/Collins (version I)
Who Is Sylvia
Schubert/Collins (version II)
TWO- OR THREE-PART SC(B)
The
baritone part is written but may be omitted if desired. These pieces also may be sung as SA, SA(B), or
SAB. Except for the one marked with an asterisk (*), purchase Part I (Version I) or Part II (Version II) for
Sopranos, Part III for Cambiatas or Altos, Part IV for Adolescent Baritones (if
desired), and one copy of the choral score for the
director.
Read
about the Features of this Unique Series
for more details. |
*Glory to God in the Highest Pergolesi/Collins D983175
(version I)
Praise to the Lord -
Stralson Gesanbuch (1665) (version I)
Praise to the Lord -
Stralson Gesanbuch (1665) (version I without baritone)
Praise to the Lord -
Stralson Gesanbuch (1665)
(version II)
Praise to the Lord -
Stralson Gesanbuch (1665) (version II without baritone)
Who Is Sylvia?
Collins MM110006cs (version
I)
Who Is Sylvia?
Collins MM110006cs (version
I, without baritone)
Who Is Sylvia?
Collins MM110006cs (version
II)
Who Is Sylvia?
Collins MM110006cs (version
II, without baritone)
THREE-PART SCB
These
pieces also may be sung as SAB because the cambiata part is written in the
treble clef. Those marked with a plus sign have optional baritone which
may be omitted if desired. Relative
to thoses marked with an asterisk (*), purchase Part I (Version I) or Part II (Version II) for
Sopranos, Part III for Cambiatas or Altos, Part IV for Adolescent Baritones, and one copy of the choral score for the
director.
Read
about the Features of this Unique Series
for more details. |
Alleluia
Bach/Siltman M486198
For All the Saints V. Williams/Cooper
I978103
+Glory
to God in the Highest
Pergolesi/Collins D983175
+Joy That Knows No Bounds Genevan/Springfield
L97438
Lift Thine Eyes (from Elijah)
Mendelssohn/Kirby M117322
Love Divine
Pritchard/Cooper I180139
O
Lord Most Holy Franck/Ehret M991200
Praise To the Lord Gesanbuch/Collins/Cooper
MM110004s (version I)
Praise To the Lord Gesanbuch/Collins/Cooper
MM110004s (version II)
+Psalm
103
Russian/Knight T180137
+Spacious
Firmament on High, The
Tallis/Cooper I979132
+Watchman,
Tell Us
Mason/Cooper I979132
Who Is Sylvia? Collins MM110006cs
(version I)
Who Is Sylvia? Collins MM110006cs
(version II)
THREE-PART
SABoys
The lower part is written in the bass clef and is designed to be
sung by cambiata and/or baritone or both combined.
|
Hallelujah, Amen Handel/Taylor M17312
O
Lord Most Holy Franck/Ehret M991200
Joyful, Joyful, We Adore Thee Beethoven/Ehret NEA
145 THREE-PART SSC
or SAC
These also may be sung as SSA
since the cambiata is written in the treble clef except those marked with a plus
sign. The piece marked with an asterisk also has an optional adolescent
baritone part which may be omitted if desired. They may be sung SSC, SAC,
SSCB or SACB. Relative to the two marked with a plus sign (+),
purchase Part I for Soprano I, Part II for Soprano II or Altos, Part III for Cambiatas, and one copy of the choral score for the
director.
Read
about the Features of this Unique Series
for more details. |
Alleluia
Mozart/Ehret M979124
Kyrie Eleison Ashton C979125
+Praise To the
Lord
Gesanbuch/Collins/Cooper MM110004s
+Psalm
103 Russian/Knight T180137
+Savior
Hear Me, O
Gluck/Taylor
M17672
+Who Is Sylvia?
Collins MM110006cs
THREE-PART VARIABLE VOICING
Those marked with an asterisk may
be sung as SSA, SSC, SAC or CBB. The others may be sung as SCB, SAB, or CBB. Those marked
with a plus sign have optional baritone which may be omitted if desired.
|
Alleluia
Mozart/Ehret M979124
Hallelujah, Amen Handel/Taylor M17312
+Hear
the Choir of Voices Singing Bortniansky/Knight TT20207
*Kyrie Eleison Ashton C979125
Lift Thine Eyes (from Elijah)
Mendelssohn/Kirby M117322
O Lord Most Holy Franck/Ehret M991200
+Psalm
103 Bortniansky/Knight T180137
|
THREE-PART CCB ALL-BOYS
C=Cambiata
B=Baritone
Alleluia Bach/Siltman M486198
THREE-PART TCB ALL-BOYS
T=Treble, C=Cambiata, and
B=Baritone
Regarding those marked with an asterish,
please purchase Parts I (Version I) or Part II (Version II)
for Boy Trebles, Part III (all versions) for Cambiatas, Part IV for Baritones
(all versions), and one copy of the choral score for the director.
Read
about the Features of this Unique Series for more details. |
Hear
the Choir of Voices Singing Bortniansky/Knight TT20207
*Praise to the Lord -
Stralsund Gesanbuch (1665) (version I)
*Praise to the Lord -
Stralsund Gesanbuch (1665) (version II)
Psalm 103 Bortniansky/Knight TT20208
*Who Is Sylvia?
Schubert/Collins
MM110006cs (version I)
*Who Is Sylvia?
Schubert/Collins
MM110006cs
(version II)
THREE-PART CBB ALL-BOYS
C=Cambiata B=Baritone
Jesu, Joy of Man's Desiring Bach/Siltman
M97687
Jesu, Joy of Man's Desiring Bach/Siltman
M97687
THREE OR FOUR-PART SSC(B)
& SAC(B)
The adolescent baritone part is written but may be omitted if desired. Those marked with asterisk may be sung as SSA(B) or SSAB.
Regarding those marked with an asterisk (*), please purchase Part I
for Soprano I, Part II for Soprano II, Part III (for Cambiatas or Altos, and one copy of the choral score for the director.
Read
about the Features of this Unique Series for more details. |
Hallelujah, Amen Handel/Taylor M17312
Praise To the
Lord
Gesanbuch/Collins/Cooper MM110004s
*Praise To the
Lord
Gesanbuch/Collins/Cooper MM110004s
(without baritone)
Saviour, Hear Me, O
Gluck/Taylor M17672
Who Is Sylvia?
Schubert/Collins MM110006cs
*Who Is Sylvia?
Schubert/Collins MM110006cs (without baritone)
FOUR-PART VARIABLE
VOICING
May be sung SSCB,
SACB, SSAB, or SSAT.
|
Adoramus Te, Christe (from The Seven Last Words)
Dubois/Richison M17797
Adoramus Te, Christe Farrell M485187
Agnus Dei Gabrieli/McCray M97682
Ave Verum Mozart/Lyle M17552
Ave Verum Corpus Byrd/Collins D978121
Cast Thy Burden Upon the Lord (from Elijah)
Mendelssohn/Farrell M980143
Gloria in Excelsis Deo
(from the 12th Mass)
Mozart/Collins M97437
Gloria (from Mass in No. 2 in G)
Schubert/Collins M100203
Gloria (from Gloria Mass) Vivaldi/Collins M117207
Hallelujah (from Messiah) Handel/Richison
M97317
Here
Comes the Bride Wagner/Collins M503205
He
Watching Over Israel (from Elijah)
Mendelssohn/Collins M97557
Introit and Kyrie (Requiem,
Op. 48)
Fauré/Kicklighter
M117692
Jesus, Priceless Treasure
Cruger/Bach/Collins M982170
Joy Fills the Morning Lotte/Farrell M983177
Joyful, Joyful, We Adore Thee Beethoven/Ehret NEA
145-B
Let Us Sing of the Lord's Wondrous Story
Mascagni/Collins
Life
of the Gypsy Verdi/Collins M503206
MIXING MELODY STYLE
These arrangements may be sung as
solos or by mixing any other two, three, or four parts. Click the title of the piece to view and hear it online in all
combination of voices.
Read
about the Features of this Unique Series
for more details. |
Praise to the Lord - Stralson Gesanbuch (1665)
Who
Is Sylvia? -
Franz
Schubert
FOUR-PART SSCB or SACB
These
pieces, except those marked with an asterisk, also may be sung as SSAB with
groups of older adolescents and adults where there are more girls than guys. The
cambiata part is written in treble clef to be sung at actual pitch. |
Adoramus Te, Christe
Palestrina/Farrell
M485187
Adoramus Te, Christe Mozart/Collins D978120
Adoramus Te, Christe (from The Seven Last Words)
Dubois/Richison M17797
Agnus Dei Gabrieli/McCray M97682
Ave Verum Mozart/Lyle M17552
Ave
Verum Corpus Byrd/Collins D978121
*Behold the Lamb of God (from Messiah) Handel/Beal
M17427
Cast Thy Burden Upon the Lord (from Elijah)
Mendelssohn/Farrell M980143 Cherubim Song Bortniansky/Collins D978119
Da Pacem Domine Franck/Pardue M979126
Gloria in Excelsis Deo
(from the 12th Mass)
Mozart/Collins M97437 Gloria
(from Mass No. 2 in G) Schubert/Collins M100203
Gloria (from Gloria Mass) Vivaldi/Collins M117207
Hallelujah (from Messiah) Handel/Richison
M97317
*Hallelujah, Amen Handel/Taylor M17312
Here
Comes the Bride Wagner/Collins M503205
He
Watching Over Israel (from Elijah)
Mendelssohn/Collins M97557
*Hosanna Gregor/Lyle M979135
Introit and Kyrie (Requiem,
Op. 48)
Fauré/Kicklighter
M117692
Jesus, Priceless Treasure
Cruger/Bach/Collins M982170
Let Us Sing of the Lord's Wondrous Story
M503203 (Key of F) M503204 (Key of G) Mascagni/Collins
Life
of the Gypsy Verdi/Collins M503206
Now Let the Heavens Adore Thee Bach/Collins
D978122
Praise To the
Lord
Gesanbuch/Collins/Cooper MM110004s Rest in the Lord (from Elijah) Mendelssohn/Knight
M117567
Savior
Hear Me, O
Gluck/Taylor M17672
She
Walks In Beauty Brahms/Hokanson M117447
Surely He Hath Borne Our Griefs Handel/Beal M97201
Tenebrae Factae Sunt Ingegneri/Collins D981155
Who Is Sylvia?
Collins MM110006cs
FOUR-PART SACB or SATB
C=Cambiata B=Baritone
Behold the Lamb
of God
Handel/Beal M17427
Hosanna
Gregor/Lyle M979135
Joyful, Joyful, We Adore Thee Beethoven/Ehret NEA
145-B
She Walks In Beauty
Brahms/Hokanson M117447
Surely He Hath Borne Our Griefs
Handel/Beal M97201
FOUR-PART CCBB ALL-BOYS
C=Cambiata B=Baritone
Ave Maria
Arcadelt/Johnstone
M97442
Integer Vitae (Father Almighty) Flemming/Johnstone
M97562
|