Cambiata Press

presents

 

Masterworks Listed by Voicings

 

Click the title of the pieces that are underlined to view and hear them online. To receive complimentary copies of the pieces not online, please sign the guestbook and write the names of any specific titles you might like to see in the comment box when you sign. 

 

TWO-PART SC

These pieces also may be sung as SA.  Except those marked with an asterisk (*), please purchase Parts I (Version I) or Part II (Version II) for Sopranos, Part III for the Cambiatas (all versions), and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details

 

Glory to God in the Highest  Pergolesi/Collins  D983175

Hear the Choir of Voices Singing Bortniansky/Knight TT20207

*Praise to the Lord - Stralsund Gesanbuch (1665)  (version I)

*Praise to the Lord - Stralsund Gesanbuch (1665)  (version II)  

Psalm 103  Bortniansky/Knight T180137

*Who Is Sylvia?  Schubert/Collins  MM110006cs  (version II)

*Who Is Sylvia?  Schubert/Collins  MM110006cs  (version I)

 

 

TWO-PART SB

Females on one part and the adolescent baritones on the other.  With these pieces, please purchase Parts I (Version I) or Part II (Version II) for Sopranos, Part IV for Baritones (all versions), and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details

 

Praise to the Lord - Stralsund Gesanbuch (1665)  (version I)

Praise to the Lord - Stralsund Gesanbuch (1665)  (version II)

Who Is Sylvia?  Schubert/Collins  MM110006cs  (version I)

Who Is Sylvia?  Schubert/Collins  MM110006cs  (version II)

 

 

 TWO-PART CB ALL-BOYS

C=Cambiata, and B=Baritone

With these pieces, please purchase Parts III for Cambiatas, Part IV for Adolescent Baritones, and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details

 

Praise to the Lord - Stralson Gesanbuch (1665)

Who Is Sylvia  Schubert/Collins

 

 

TWO-PART TC ALL-BOYS

T=Treble      C=Cambiata

Purchase Part I (Version I) or Part II (Version II) for Boy Trebles, Part III for Cambiatas, and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details.

 

 

Praise to the Lord - Stralson Gesanbuch (1665) (version I)

Praise to the Lord - Stralson Gesanbuch (1665) (version II)

Who Is Sylvia  Schubert/Collins (version I)

Who Is Sylvia  Schubert/Collins (version II)

 

 

 

 

TWO- OR THREE-PART SC(B)

The baritone part is written but may be omitted if desired.  These pieces  also may be sung as SA, SA(B), or SAB.  Except for the one marked with an asterisk (*), purchase Part I (Version I) or Part II (Version II) for Sopranos, Part III for Cambiatas or Altos, Part IV for Adolescent Baritones (if desired), and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details.

 

 

*Glory to God in the Highest  Pergolesi/Collins  D983175  (version I)

Praise to the Lord - Stralson Gesanbuch (1665) (version I)

Praise to the Lord - Stralson Gesanbuch (1665) (version I without baritone)

Praise to the Lord - Stralson Gesanbuch (1665) (version II)

Praise to the Lord - Stralson Gesanbuch (1665) (version II without baritone)

Who Is Sylvia?  Collins  MM110006cs  (version I)

Who Is Sylvia?  Collins  MM110006cs  (version I, without baritone)

Who Is Sylvia?  Collins  MM110006cs  (version II)

Who Is Sylvia?  Collins  MM110006cs  (version II, without baritone)

 

 

THREE-PART  SCB

These pieces also may be sung as SAB because the cambiata part is written in the treble clef.  Those marked with a plus sign have optional baritone which may be omitted if desired.   Relative to thoses marked with an asterisk (*), purchase Part I (Version I) or Part II (Version II) for Sopranos, Part III for Cambiatas or Altos, Part IV for Adolescent Baritones, and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details.

 

Alleluia   Bach/Siltman  M486198

For All the Saints V. Williams/Cooper I978103

+Glory to God in the Highest Pergolesi/Collins D983175

+Joy That Knows No Bounds Genevan/Springfield L97438

Lift Thine Eyes (from Elijah) Mendelssohn/Kirby M117322

Love Divine Pritchard/Cooper I180139

 O Lord Most Holy Franck/Ehret M991200

Praise To the Lord  Gesanbuch/Collins/Cooper  MM110004s  (version I)

Praise To the Lord  Gesanbuch/Collins/Cooper  MM110004s  (version II)

+Psalm 103 Russian/Knight T180137

+Spacious Firmament on High, The Tallis/Cooper I979132

+Watchman, Tell Us Mason/Cooper I979132

Who Is Sylvia?  Collins  MM110006cs  (version I)

Who Is Sylvia?  Collins  MM110006cs  (version II)

 

THREE-PART SABoys

The lower part is written in the bass clef and is designed to be sung by cambiata and/or baritone or both combined.

 

Hallelujah, Amen Handel/Taylor M17312

 O Lord Most Holy Franck/Ehret M991200

Joyful, Joyful, We Adore Thee  Beethoven/Ehret  NEA 145

 

THREE-PART  SSC or SAC

These also may be sung as SSA since the cambiata is written in the treble clef except those marked with a plus sign.  The piece marked with an asterisk also has an optional adolescent baritone part which may be omitted if desired.  They may be sung SSC, SAC, SSCB or SACB.  Relative to the  two marked with a plus sign (+), purchase Part I for Soprano I, Part II for Soprano II or Altos, Part III for Cambiatas, and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details.

 

Alleluia Mozart/Ehret M979124

Kyrie Eleison Ashton C979125

+Praise To the Lord  Gesanbuch/Collins/Cooper  MM110004s

+Psalm 103 Russian/Knight T180137

 +Savior Hear Me, O  Gluck/Taylor  M17672

+Who Is Sylvia?  Collins  MM110006cs

 

THREE-PART VARIABLE VOICING

Those marked with an asterisk may be sung as SSA, SSC, SAC or CBB.  The others may be sung as SCB, SAB, or CBB.  Those marked with a plus sign have optional baritone which may be omitted if desired.

 

Alleluia Mozart/Ehret M979124

Hallelujah, Amen Handel/Taylor M17312

+Hear the Choir of Voices Singing Bortniansky/Knight TT20207  

*Kyrie Eleison Ashton C979125

Lift Thine Eyes (from Elijah) Mendelssohn/Kirby M117322  

O Lord Most Holy Franck/Ehret M991200  

+Psalm 103 Bortniansky/Knight T180137

 

THREE-PART CCB ALL-BOYS

C=Cambiata     B=Baritone

 

Alleluia Bach/Siltman M486198

 

THREE-PART TCB ALL-BOYS

T=Treble, C=Cambiata, and B=Baritone

Regarding those marked with an asterish, please purchase Parts I (Version I) or Part II (Version II) for Boy Trebles, Part III (all versions) for Cambiatas, Part IV for Baritones (all versions), and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details.

 

Hear the Choir of Voices Singing Bortniansky/Knight TT20207  

*Praise to the Lord - Stralsund Gesanbuch (1665)  (version I)

*Praise to the Lord - Stralsund Gesanbuch (1665)  (version II)

Psalm 103  Bortniansky/Knight  TT20208

*Who Is Sylvia?  Schubert/Collins  MM110006cs  (version I)

*Who Is Sylvia?  Schubert/Collins  MM110006cs  (version II)

 

THREE-PART CBB ALL-BOYS

C=Cambiata     B=Baritone

 

Jesu, Joy of Man's Desiring Bach/Siltman M97687

Jesu, Joy of Man's Desiring Bach/Siltman M97687

 

THREE OR FOUR-PART

SSC(B) & SAC(B)

The adolescent baritone part is written but may be omitted if desired.  Those marked with asterisk may be sung as SSA(B) or SSAB.  Regarding those marked with an asterisk (*), please purchase Part I for Soprano I, Part II for Soprano II, Part III (for Cambiatas or Altos, and one copy of the choral score for the director.  Read about the Features of this Unique Series for more details.

 

Hallelujah, Amen Handel/Taylor M17312

Praise To the Lord  Gesanbuch/Collins/Cooper  MM110004s

*Praise To the Lord  Gesanbuch/Collins/Cooper  MM110004s (without baritone)

 Saviour, Hear Me, O  Gluck/Taylor  M17672

Who Is Sylvia?  Schubert/Collins  MM110006cs

*Who Is Sylvia?  Schubert/Collins  MM110006cs  (without baritone)

 

FOUR-PART VARIABLE VOICING

May be sung SSCB, SACB, SSAB, or SSAT.

 

Adoramus Te, Christe (from The Seven Last Words)

Dubois/Richison M17797

Adoramus Te, Christe Farrell M485187

Agnus Dei Gabrieli/McCray M97682

 Ave Verum Mozart/Lyle M17552

Ave Verum Corpus  Byrd/Collins  D978121

Cast Thy Burden Upon the Lord (from Elijah)

Mendelssohn/Farrell M980143

Gloria in Excelsis Deo (from the 12th Mass)

Mozart/Collins M97437

Gloria (from Mass in No. 2 in G)  Schubert/Collins   M100203

Gloria (from Gloria Mass) Vivaldi/Collins  M117207 

Hallelujah (from Messiah) Handel/Richison M97317

Here Comes the Bride  Wagner/Collins  M503205

He Watching  Over Israel (from Elijah)  Mendelssohn/Collins M97557

Introit and Kyrie (Requiem, Op. 48) Fauré/Kicklighter  M117692

Jesus, Priceless Treasure  Cruger/Bach/Collins  M982170

Joy Fills the Morning Lotte/Farrell M983177

Joyful, Joyful, We Adore Thee  Beethoven/Ehret  NEA 145-B 

Let Us Sing of the Lord's Wondrous Story  Mascagni/Collins
Life of the Gypsy Verdi/Collins  M503206

 

  MIXING MELODY STYLE

These arrangements may be sung as solos or by mixing any other two, three, or four parts.  Click the title of the piece to view and hear it online in all combination of voices.  Read about the Features of this Unique Series for more details.

  Praise to the Lord - Stralson Gesanbuch (1665)

Who Is Sylvia? - Franz Schubert
 

FOUR-PART  SSCB or SACB

These pieces, except those marked with an asterisk, also may be sung as SSAB with groups of older adolescents and adults where there are more girls than guys. The cambiata part is written in treble clef to be sung at actual pitch.

 

Adoramus Te, Christe Palestrina/Farrell M485187

Adoramus Te, Christe Mozart/Collins D978120

Adoramus Te, Christe (from The Seven Last Words)

Dubois/Richison M17797

Agnus Dei Gabrieli/McCray M97682

 Ave Verum Mozart/Lyle M17552

Ave Verum Corpus  Byrd/Collins  D97812

*Behold the Lamb of God (from Messiah) Handel/Beal M17427

Cast Thy Burden Upon the Lord (from Elijah)

Mendelssohn/Farrell M980143

Cherubim Song Bortniansky/Collins D978119

Da Pacem Domine Franck/Pardue M979126

Gloria in Excelsis Deo (from the 12th Mass)

Mozart/Collins M97437

 Gloria (from Mass No. 2 in G)  Schubert/Collins   M100203

Gloria (from Gloria Mass) Vivaldi/Collins  M117207 

Hallelujah (from Messiah) Handel/Richison M97317

*Hallelujah, Amen Handel/Taylor M17312

Here Comes the Bride  Wagner/Collins  M503205

He Watching  Over Israel (from Elijah)  Mendelssohn/Collins M97557

*Hosanna Gregor/Lyle M979135

Introit and Kyrie (Requiem, Op. 48) Fauré/Kicklighter  M117692

Jesus, Priceless Treasure  Cruger/Bach/Collins  M982170 

Let Us Sing of the Lord's Wondrous Story

M503203 (Key of F) M503204 (Key of G) Mascagni/Collins
Life of the Gypsy Verdi/Collins  M503206

Now Let the Heavens Adore Thee Bach/Collins D978122

Praise To the Lord  Gesanbuch/Collins/Cooper  MM110004s

Rest in the Lord (from Elijah) Mendelssohn/Knight M117567

 Savior Hear Me, O  Gluck/Taylor  M17672

She Walks In Beauty    Brahms/Hokanson  M117447

Surely He Hath Borne Our Griefs  Handel/Beal  M97201

Tenebrae Factae Sunt Ingegneri/Collins D981155

Who Is Sylvia?  Collins  MM110006cs

 

 

 

FOUR-PART SACB or SATB

C=Cambiata     B=Baritone

 

Behold the Lamb of God   Handel/Beal  M17427

Hosanna  Gregor/Lyle  M979135

Joyful, Joyful, We Adore Thee  Beethoven/Ehret  NEA 145-B

She Walks In Beauty    Brahms/Hokanson  M117447

Surely He Hath Borne Our Griefs  Handel/Beal  M97201

 

 

FOUR-PART CCBB ALL-BOYS

C=Cambiata     B=Baritone

 

Ave Maria  Arcadelt/Johnstone  M97442

Integer Vitae (Father Almighty) Flemming/Johnstone M97562

 

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Brevard, North Carolina

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